In How to Philosophize with a Hammer and Sickle, Jonas Čeika rescues Nietzsche and Marx from their undeserved fates as caricatures and examines how their ideas are more compatible than have often been depicted. Čeika's new book unearths dormant values in each figure’s thought that are useful to a modern emancipatory politics.
Read moreWomen Directors Have Made Some of the Greatest Films Ever. Here Are 11 You Might Not Know.
March is Women’s History Month, and there is no better time to watch some outstanding films made by women directors. Directors like Agnès Varda, Julie Dash, or Chantal Ackerman might not be household names, but they have made an indelible imprint on hundreds of films and filmmakers that came after them. From the feminist psychedelia of Daises to the anti-colonialist, coming-of-age drama Chocolat, these are eleven films directed by women internationally you might not have heard of but would not want to miss.
Read moreBest Albums for the Best Record Collection
My friend started a record collection and asked me which albums I thought should be in it, so I have compiled a list my favorite albums from the 1950s through the 2010s. The albums in this list are records I like to listen to on the whole, not just individual songs. I have listened to around 3000 albums, and this list has about 500 of them.
Read moreSplit Screen Cinema
Over many years of studying film, I have collected over 500 instances of visual influences, homages, and rip-offs in movies and art, and I will continually update them here.
Read moreRevisiting “Harold and Maude”
Rather than a simple black comedy, Harold and Maude is arguably one of the best satires to come out of the New Hollywood genre. Ashby’s direction, Colin Higgins’s narrative, and Bud Cort and Ruth Gordon’s acting “weave a gentle spell,” as film critic Matt Zoller Seitz put it, by providing the audience with “a romance, a tragedy, a satire, a paean to eccentricity, a philosophical statement, and a ‘trip’ film whose music montages seem to roll in like waves.” It is in that spirit that Harold and Maude deserves to be revisited, not just as a quirky, low-budget Hollywood offshoot, but as a serious work of cinema.
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